Contextual : OBJECTIVITY

The artists mentioned in this post were all from the Machine Age, where photography was looked at as a machine-like object. All photos had a metallic look to them (machine-like). This work caused a lot of propaganda, making humans more like machines rather then human. The camera was looked at as “the central instrument of our time”, with the photographers acting as “operators” which recorded and documented real and current pieces of work for their time.

KARL BLOSSFELDT:
Blossfeldt was a German photographer that took lots of typology style images (a collection of types for comparison and review). He is well known for his close-up images of plants. All of his work was shot in black and white and so clear that you can see every single detail in the plants.

DONAVAN WYLIE:

Contextual : NYCTOPHOBIA (Fear of the dark)

GREGORY CREWDSON:
Crewdson is an American photographer who’s images show a ‘dreamlike’ quality. He uses a large production team to help him create his shots; almost like they would be shooting a film. The team takes over a town for a few weeks, adding in different things (such as rain machines) to create the perfect scene for a photo. He quotes that “My pictures are that search for a moment, that perfect moment……[they are] this blurring of reality and fiction”. They are elaborately staged scenes, mostly of American homes, creating ‘eery’, ‘surreal’, horror scenes.

BILL HENSON:
Henson takes pictures of people in small, dark intimate spaces. His images show a feeling of sensuality, using only half of the scene to show the picture. His prints are made huge and are incredibly low lit, most of the time showing pure darkness and then the face of a person appearing in the middle of the image. They are usually quite controversial and stereotypically show the theme of ‘fear’ throughout (unlike Crewdson’s work which is more ‘unreal’ rather than ‘scary’ and ‘fearful’.

GLEN LUCHFORD:
Luchford is a British fashion photographer which (like Gregory Crewdson) makes his images very ‘cinematic’ and uses elaborate lighting set ups to create the final image. He creates a very ‘film noir’ style of work, showing themes of robbers, gangsters, femme fatal, seduction, etc.

RALPH EUGENE MEATYARD:
Meatyard used a lot of masks in his images, ‘covering up’ and ‘hiding’ peoples personality. He uses a slow shutter speed to add effect and is very secretive about his work, being careful not to reveal anything. Whenever he was asked about his work he replied with “What do you see in it?” instead of answering the question.

RUT BLEES LUXE,BURG:
A German photographer focused on taking night photos of London. She showed not the beautiful tourist side of it, but the dangerous, night time, dirty, gritty night scenes. This showed another side of the city, it is the opposite of what we are used to seeing, and definitely wouldn’t want to be seen by tourists in this way. Her photos scream ‘DANGER’ at you as they have a very strange, dark, almost horrible feel to them. She uses very long exposures in order to capture the lighting around her (such as street lamps) to create her work.

GOYA:
Goya was a Spanish painter (late 1700’s-early 1800’s) which painted images of his own interpretation of hell and ‘demons’. He showed a lot of inhuman acts and death in his work, making it quite gory and controversial. He also showed a lot of propaganda against France in his work as he was alive during the Peninsular War.

JAKE & DINOS CHAPMAN:
The Chapman brothers started their career by looking at Goya’s work for inspiration. They then recreated scenes of his work but used little plastic models or mannequins to do this. They took very gruesome and disturbing images which caused them a lot of trouble and became extremely controversial. They made a series called ‘fucking hell’ which was a recreation (sort of..) of the Saatchi creation series called ‘hell’. The brothers’ work was very sexualised and ‘inappropriate’, and making fun of a lot of things/people which was mostly Nazi inflicted.

I think my favourite artist out of these ones is Gregory Crewdson.

Contextual : Vile Bodies … Naked

  • Jenny Saville
  • John Coplans
  • Joel Peter Witkins

Jenny Saville:
Jenny Saville took pictures of her body up against glass, making it look dis formed and unnatural. She produced the series of work to be different; “[it was] undeniably grotesque yet they still had a feeling of beauty”. Her idea of “beauty” in this very taboo subject also showed a very close artist/model relationship, as she was both model and artist. It’s amazing just how much lying on a massive sheet of glass and pushing parts of the body changes the look completely. She would have an assistant underneath the glass to press the shutter, but the whole idea and concept of the work was hers.

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John Coplans:
Coplans took images of different parts his own body in very close up detail, quite similarly to Jenny Saville, minus the glass and his were all black and white, adding the ‘old’ feeling to the images. It all shows a feeling of normality; people think beauty is only young, thin , perfect-looking women. John Coplans does the exact opposite: he shows reality of the body and how it changes as it gets older. He was inspired by the fact that people didn’t want to see old people naked; they didn’t want to see old, wrinkly, men. His work is about body imaged and just how it is really looked upon. He shows the details of beauty in older people – he shows the aging process by showing wrinkles to make texture in his photos. Coplans portrays himself as a younger person, doing poses that show muscles, he turns his body into a sculpture. He also shows how he is dealing with humanity, he didn’t want to appear fat and was very vain. His work shows physicality and proves that he isn’t perfect because no such thing exists. Coplans photographs things that he doesn’t really know and manipulates how we look. In one of his photos, he poses in a ostrich-like position which shows that he may be burying his head in the sand, quoting “I’m more alive then I’ve probably been all my life while I’m making these photographs.”

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Self-Portrait (Hands Spread on Knees) 1985 by John Coplans 1920-2003

Joel Peter Witkins:
Witkins took photos of people that were quite ‘different’. People with physical disabilities, transgenders, circus freaks etc. He shot in black and white and made his images show ‘darkness’. Unlike the last 2 artists, he didn’t photograph himself but other people to show the human body in different ways.
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My favourite artist out of these 3 has got to be John Coplans. I don’t know why but the work of Saville and Witkins just didn’t appeal to me at all and seemed very strange. If I was to rate them, my top favourite would be John Coplans, followed by Jenny Saville, and Joel Peter Witkins would not be on the list at all.

Contextual : Me, Myself, I

Thomas Ruff:

Thomas Ruff took massive, large-scale photos that were the style of a passport photo; showing no expression. “Photographs aren’t depictions, they’re just images. With the portrait photographs I worked on the basis that a photograph can’t represent the character of a person, that person has too many layers to be depicted in a photograph.”

He took pictures of people that were around his age, the photos were blank, non-expression able, and showing no personality at all. He printed these images on a very huge scale, often being two metres wide and three metres tall. He really links the idea of ID photos, and how they show that yes, that is what the person looks like, but it shows nothing about them. No look of happiness, sadness, despair, depression, content, joy, hope; nothing but a blank face staring you down. People make many misconceptions just by looking at a photo; someone that looks like a criminal may actually be the nicest person on earth, but you don’t know this until you get to know him.

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Rineke Dijkstra:

Rineke shot images of adolescents ages 15-18 and placed them in very ‘adult-like’ scenes. They weren’t children anymore, but still not quite adults. She photographed them through the very awkward stages of puberty and made them look very uncomfortable. She dressed them in various swimsuits and bikinis, making the teenagers feel like they were showing too much; revealing. She shot the images on a beach, with the teens looking really awkward and uncomfortable, which shows how they are going through that “awkward age” as they may not understand what is happening to them. Image

 

Andy Warhol:

Warhol used photography to invent himself. He used different techniques to manipulate how he looked, editing the colours etc. He often dressed up quite differently, shooting a series in drag, changing himself to show the sense of “inventing” him self and “manipulating. He still kept to this theme of pop art that he always used.Image

 

Robert Mapplethorpe:

Robert Mapplethorpe was a gay photographer that also shot pictures of Andy Warhol. All of his portraits are in black and white, and are quite dark and have a very erotic feeling to them. His work is quite controversial as a result of this and mostly takes pictures of men.Image

 

Rembrandt:

Rembrandt was a Dutch painter who painted self-portraits of himself. He also painted the upper class citizens: rich people. His paintings all show confidence. But also arrogance and makes himself very full of himself. Image

 

John Coplans:
Coplans started photographing himself in his early sixties. He photographed his body very close up and blew it up to large-scale prints, just like Thomas Ruff. He examined his body parts, being careful to never show his face, no one knew what he actually looked like. His images weren’t ‘pretty’ but they were real, showing people about humanity and the concept of aging.

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Barbara Kruger:

“I only know I exist because I can buy stuff.” She used a lot of words in her images, which were very controversial such as her picture of a hand holding a sign saying “I shop therefore I am” meaning that she only exists because of consumer products. What you see in the mirror is not what you are, as shown in her image; “You are not yourself”. 

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CREATING A SELF PORTRAIT

My first idea for a self portrait was to take a really close up picture of my face using a shallow depth of field. I set up the image in the studio and had someone press the shutter for me to get this image:
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I then edited this to turn it into a black and white image and printed it on an A4 sheet of paper.
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After this, I went out and re shot the image, this time holding the piece of paper up in front of my face, and aligning it perfectly so that it looked as if I was looking out a little window. This came out looking really good, and shows a lot of meaning about me; I can sometimes be quite shy and ‘hide away’ (just like hiding my face behind the piece of paper). It also shows how self-concious I get about myself as I don’t like my body image at all, especially my face, so I do try to keep out of any pictures (again with the hiding). I left the background in colour, which helped with making the image look cool but really ‘creepy’ looking.
me edited

TEXTURE

INTERNET:

Using a picture of myself and opening it in Photoshop, I then went into Google images and found 3 textures that I liked. Opening both images side by side in Photoshop, I selected the texture (CMD+A), copied it (CMD+C) and then toggled to the image of me (CMD+~). I then pasted the texture onto my image (CMD+V) and then went into the blending options. I chose “Soft light” for this image as it made it look really interesting, but not too dark that you couldn’t see my face.
TEXTURE 1

After this image, I found a picture of a brick wall and did the exact same thing, also using “Soft light” and then used the eraser tool (E) to go through the top layer and show my face, leaving my hair all “bricky”.
TEXTURE 2

My last texture that was taken from the internet was a blue background with circles of light. I repeated the same thing once again but this time used the “Pin light” blending option and left it as it is.
TEXTURE 3

OWN IMAGES:
We then went out and took our own texture pictures and repeated the whole process again. My first image was a picture taken of the texture of the jeans that I was wearing on that day. I chose “Lighten” and brought the opacity down a bit.
own photo+texture1

My other two images were of the wooden beams on the side of the college building, and one of the drain lid-things. The wooden one was using “Dissolve”, and the last one was “Overlay” on a really low opacity.
own photo+texture2

own photo+texture3

SCANNED OBJECTS:
My first thing that I scanned in was my bus pass holder which has penguins on it. Then I used one of my key rings which is a fluffy monkey because I liked the fluffy texture, and my last image was my stripey notebook. I used the same blending options for each one, (lighten) and just played about with the opacity.
scanned texture1

scanned texture2

scanned texture3

CONTEXTUAL STUDIES : Nan Goldin : The Ballad Of Sexual Dependency

Self-Portrait on the train, Germany 1992 by Nan Goldin born 1953
Nan Goldin is an American photographer that kept a visual diary showing relationships and personal history. She also shows a sense of travel and ‘The decisive moment’ just as Henri Cartier-Brasson did in his work. She is a very ‘snapshot’ moment orientated photographer and her work tends to have a very sexual theme to it throughout, showing relationships and bondage. Artists that did similar work to Nan Goldin are George Brassai and Diane Arbus; and she created visual links with a lot of William Eggleston, Juergen Teller, Wolfgang Tillmans, Corrine Day and Robert Franks’ work. She is very diaristic and shows a very reportage theme, also showing a sense of pain. Her photography is very gritty; it is really intimate but also sad at the same time, showing a lot of emotions.

When Goldin was 11 years old, her older sister commit suicide at the age of 18. This had a massive effect on her life and she first started photography when she was 18; she has said “If I photograph someone enough, I won’t lose them” as a result of her sisters suicide which encouraged her photography. Nan wanted to “Never lose the memory of anyone again”.

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Nan first met her friend David when she was really young; his opened up a new relationship for her as David was gay and did a lot of Drag, which she took a lot of pictures of which were linked to her dream of becoming a fashion photographer. After spending so much time with people dressed in drag, she felt like a drag queen herself. “I didn’t see them as a man dressing like a woman, I see them as a third gender that made sense” she quoted. Her and David shared clothes, lovers, drugs, money, literally everything.

nan_goldin-battered
Goldin was in a very destructive relationship with her lover Brian – he read her diary and battered her because of what she wrote, then destroyed the diary. She documented this by taking pictures of herself, showing just how badly she was hurt so that she would have a reminder there to never go back to him. I think this really influenced a lot of her work, but gave her the confidence to forget that part of her life and carry on.

Golding moved to New York in the 70’s, were life was very sex-orientated and there was night life no matter what you were. She quoted that “Taking pictures allowed me to be in control and out of control at the same time”.

Camera Techniques : SLOW SHUTTER SPEED

EXAMPLE: 

Slow shutter speed is the exact opposite of fast, it makes water look smokey rather than a fast shutter speed which makes it look like ice. A slow shutter speed is anything that is under 60/1 of a second, and you need a tripod to avoid camera shake. As you can see in the example, you can see the light trail of cars. This is because the shutter speed was most likely set to B, which is the lowest possible setting, and allows you to hold down the shutter of a number of minutes to capture a very long shot, depending where it is.

Image taken from: https://www.google.co.uk/search?q=FAST+SHUTTER+SPEED&rlz=1C1HDKC_enGB556&source=lnms&tbm=isch&sa=X&ei=VDZNUoCDEMqR0AWHtIGYCg&ved=0CAcQ_AUoAQ&biw=1280&bih=923&dpr=1#q=SLOW+SHUTTER+SPEED&tbm=isch&facrc=_&imgdii=_&imgrc=JsILQMbVqtxAiM%3A%3BY7WFII46p7POHM%3Bhttp%253A%252F%252Fbostonphotographeronline.com%252Fwp-content%252Fuploads%252F2012%252F10%252FPhotograph-with-slow-shutter-speed-1.gif%3Bhttp%253A%252F%252Fbostonphotographeronline.com%252Fphotographing-using-slow-shutter-speed%252F%3B550%3B408

Camera Techniques : FAST SHUTTER SPEED

EXAMPLE:

Shutter speed is the speed that the shutter remains open for when taking an image. A fast shutter speed is anything over 300/1 of a second, and causes a freezing movement as you can see in the water droplets in the image above. The shutter opens and closes so quickly it makes water look like ice, like it is frozen in time. Fast shutter speed is always good to capture movement, for example if a person jumps, you can capture them in the air and ‘freeze’ them.

 

Image taken from: https://www.google.co.uk/search?q=FAST+SHUTTER+SPEED&rlz=1C1HDKC_enGB556&source=lnms&tbm=isch&sa=X&ei=VDZNUoCDEMqR0AWHtIGYCg&ved=0CAcQ_AUoAQ&biw=1280&bih=923&dpr=1#facrc=_&imgdii=_&imgrc=vOBjCUO1eOPlvM%3A%3BBw303uktdWNunM%3Bhttp%253A%252F%252Fmialongphotography.weebly.com%252Fuploads%252F1%252F3%252F6%252F4%252F13640411%252F105441_orig.jpg%3Bhttp%253A%252F%252Fmialongphotography.weebly.com%252Ffastslow-shutter-speed.html%3B500%3B333